THE FORMATION AND DISTINCTIVE FEATURES OF THE ISLAMIC MUSEUM OF JERUSALEM IN PALESTINE

Abstract

This article examines the historical formation, architectural significance, and interior design strategies of the Islamic Museum of Jerusalem, located within the Al-Aqsa Mosque complex in Palestine. Founded in 1923 by the Supreme Muslim Council and shaped under the vision of Palestinian architect Shadiya Yusuf Touqan, the museum represents a vital institution for safeguarding Islamic cultural heritage. The study analyzes the museum's spatial organization, detailing how historical Mamluk architectural structures have been adapted into modern exhibition spaces. Special attention is given to the museum’s unique collection, including over 600 rare Quranic manuscripts spanning six major Islamic dynasties, highlighted by the 14th-century Moroccan rabʿah of Sultan Abu al-Hasan Ali I and the monumental manuscript of Sultan al-Ashraf Barsbay. Furthermore, the paper investigates the curatorial techniques employed within the galleries, particularly the harmonious balance between ancient stone elements, neutral color palettes, contemporary lighting fixtures, and glass features.

Keywords

Islamic Museum of Jerusalem, Al-Aqsa Mosque complex, Shadiya Yusuf Touqan, Palestinian cultural heritage, Islamic architecture, Quranic manuscripts, museum interior design, spatial narration, curatorial practice, Mamluk architecture.